The modernist period saw a revolution in fictional practice, most famously in the work of novelists such as Joyce and Woolf. Dominic Head shows that the short story, with its particular stress on literary artifice, was a central site for modernist innovation. Working against a conventional approach and towards a more rigourous and sophisticated theory of the genre, using a framework drawn from Althusser and Bakhtin, he examines the short story's range of formal effects, such as the disunifying function of ellipsis and ambiguity. Separate chapters on Joyce, Woolf and Katherine Mansfield highlight their strategies of formal dissonance, involving a conflict of voices within the narrative. Finally, Dominic Head's challenging conclusion takes the implications of his study into the age of postmodernism.
This book embraces the blurred nature of epiphanies and sets out to explore their effects in a comparative journey paralleling Anglophone and Italian modernist short fiction.
Materiality in Modernist Short Fiction provides a fresh approach to reading material things in modern fiction, accounting for the interplay of the material and the cultural. This volume investigates...
Short-Short Stories: for Readers Short of Time is a compilation of 61 ultra-short stories two pages or less in length. These are in marked contrast to "regular" short stories that average 12 to 16...
The Short-Short Story: A New Literary Genre is explained by José Flávio Nogueira Guimarães, as we learn about the origins of the short-short story as well as its main characteristics. The author...