What was the impact of the Norman Conquest on the culture of medieval and early modern England? Deanne Williams answers this question by contending that not only French language and literature, but the idea of Frenchness itself, produced England's literary and cultural identity. Examining a variety of English representations of, and responses to, France and 'the French' in the work of Chaucer, Caxton, Skelton, Shakespeare and others, this book shows how English literature emerged out of a simultaneous engagement with, and resistance to, the pervasive presence of French language and culture in England that was the legacy of the Norman Conquest. Drawing upon theories of gender and postcoloniality, this book revises traditional notions of English literary history by inserting France as a primary element in English self-fashioning, from Chaucer's Prioress to Shakespeare's Henry V.
Shakespeare and Chaucer: Examinations is a book written by William Taylor Thom in 1887. The book is a comparative study of the works of two of the most celebrated English literary figures, William...
In The Western Canon: The Books and School of the Ages the American critic Harold Bloom claims that Shakespeare drew on Chaucer's Pardoner when creating the villain Iago for his Othello. This book...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of...