This 1998 study serves as a contribution to both reception history, examining the medieval response to Chrétien's poetry, and genre history, suveying the evolution of Arthurian verse romance in French. It describes the evolutionary changes taking place between Chrétien's Eric et Enide and Froissart's Meliador, the first and last examples of the genre, and is unique in placing Chrétien's work, not as the unequalled masterpieces of the whole of Arthurian literature, but as the starting point for the history of the genre, which can subsequently be traced over a period of two centuries in the French-speaking world. Beate Schmolke-Hasselmann's study was first published in German in 1985, but her radical argument that we need urgently to redraw the lines on the literary and linguistic map of medieval Britain and France is only now being made available in English.
A fine collection of the greatest French tales about the legend of ArthurTaking the legends surrounding King Arthur and weaving in new psychological elements of personal desire and courtly manner,...
This witty and accessible book traces the history of Arthurian romance from medieval to modern times, explaining its enduring appeal.
Traces the history of Arthurian romance from medieval to...
Chrétien's works include five major poems in rhyming eight-syllable couplets. Four of these are complete; Erec and Enide (c. 1170); Cligès (c. 1176), and Yvain, the Knight of the Lion and Lancelot,...
Leaving the traditional focus on Arthurian romance and Gothic tales, the essays in this collection address how the Victorians looked back to the Middle Ages to create a sense of authority for their...