An intriguing study of cultural life during a turbulent and formative decade in contemporary China, this book seeks to explode several myths about the Cultural Revolution (officially 1966-76). Through national and local examination of the full range of cultural forms (film, operas, dance, other stage arts, music, fine arts, literature, and even architecture), Clark argues against characterizing this decade as one of chaos and destruction. Rather, he finds that innovation and creativity, promotion of participation in cultural production, and a vigorous promotion of the modern were all typical of the Cultural Revolution. Using a range of previously little-used materials, Clark forces us to fundamentally reassess our understanding of the Cultural Revolution, a period which he sees as the product of innovation in conflict with the effort by political leaders to enforce a top-down modernity.
Based on a wide variety of unusual and only recently available sources, this book covers the entire Cultural Revolution decade (1966-76) and shows how the Cultural Revolution was experienced by...
This book reconsiders the Chinese Cultural Revolution from the perspective of the current economic and political climate. With contributions from leading international scholars this volume brings...
This is the first book to explore the global influence of Maoism on modern and contemporary art. Featuring eighteen original essays written by established and emerging scholars from around the world,...
Acknowledgements Abbreviations Introduction 1936: On the Eve of War and Freedom Release from the Guomindang Prison, 1936 Levers of Power: Careers 1949-66 Prison Again: The CCP Version Rehabilitating...