This groundbreaking study of early modern English preaching was the first to take full account of the sermon as heard by the listener as well as uttered by the preacher. It draws on a wide range of printed and manuscript sources, but also seeks to read behind the texts in order to reconstruct what was actually delivered from the pulpit, with due attention to the differences between oral, written and printed versions. In showing how sermons were interpreted and appropriated by their hearers, often in ways that their authors never intended, it poses wider questions about the transmission of religious and political ideas in the post-Reformation period. Offering a richer understanding of sermons as complex and ambiguous texts, and opening up new avenues for their interpretation, it will be essential reading for all students of the religious and cultural history of early modern England.
Hear the Art is the essential poetry-as-art collection, loaded with Richard Tipping's elegant, wry and telling concrete poems made as sculpture and as picture. He is fascinated by words found within...
In this book of poems, collages, and short inquiries, the poet wonders about the source of his voices, questioning those talking in the dreamlife, in the invisible world all around us, though he...
"HEAR HEAR!" is a collection of over 700 letters and articles written by the author to the British Press over the last 11 years of the Blair/Brown governments. John Gouriet has been close to the hub...
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the...