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Sir Thomas Wyatt and the Rhetoric of Rewriting

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This study reappraises Sir Thomas Wyatt (c.1504-1542) as a poetic innovator. It discusses Wyatt's reflections on the writing process, and his awareness of how words can be turned in new directions - that is, rewritten, amended, transformed, manipulated, even performed - over the course of a text's production, transmission, and reception.
Hardback
08-March-2012
288 Pages
RRP: $293.95
$197.00
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Chris Stamatakis discusses Wyatt's literary importance, as a poetic innovator and as a pioneer of translation from continental and classical literature, and it examines the fascinating process by which Wyatt's texts are composed, handled, transmitted, and read by his early Tudor readers. Where other studies have interpreted Wyatt's poems through the lens of biography, this book suggests that readers should be alert to his playful, knowing transformation of texts-an activity of verbal turning which he encourages in his audiences too. By examining the original manuscripts, and by analysing the multiple (and often variant) copies of Wyatt's texts, in both manuscript and early print editions, this monograph relates the wealth of textual variants to the early modern concept of 'copia'-an abundance of words, which is the foundation for artistic display and the basis of written conversations in this literary culture.

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RRP: $293.95
$197.00
In Stock: Ships in 3-5 Days
In Stock: Ships in 7-9 Days
Hurry up! Current stock:

Sir Thomas Wyatt and the Rhetoric of Rewriting

RRP: $293.95
$197.00

Description

Chris Stamatakis discusses Wyatt's literary importance, as a poetic innovator and as a pioneer of translation from continental and classical literature, and it examines the fascinating process by which Wyatt's texts are composed, handled, transmitted, and read by his early Tudor readers. Where other studies have interpreted Wyatt's poems through the lens of biography, this book suggests that readers should be alert to his playful, knowing transformation of texts-an activity of verbal turning which he encourages in his audiences too. By examining the original manuscripts, and by analysing the multiple (and often variant) copies of Wyatt's texts, in both manuscript and early print editions, this monograph relates the wealth of textual variants to the early modern concept of 'copia'-an abundance of words, which is the foundation for artistic display and the basis of written conversations in this literary culture.

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