The archetypal myth of lost paradise, found in both civilized and primitive cultures throughout history, was central to Enlightenment and Romantic thought, influencing philosophical, literary, artistic and musical works. This book explores manifestations of the lost paradise myth in Lieder by Franz Schubert, Johannes Brahms, Hugo Wolf and other nineteenth-century composers, with emphasis on works conveying nostalgia for classical antiquity, childhood, and folk song. Through a series of autonomous yet interrelated studies, Marjorie Hirsch examines the myth's influence on the origins and development of the Romantic Lied. The book thus takes a thematic approach to the study of Romantic Lieder, with introductory sections supplying historical context for analyses of individual songs or small groups of songs expressing nostalgia for lost paradise in various guises.
Was Milton on the side of the angels or the devils? Was he republican or anti-republican, feminist or misogynist? Did he value innocence or experience? Lucy Newlyn shows how the Romantic reader...
This book explores what Romantic literature does with questions Milton had posed, in the ambiguous language of Paradise Lost, about revolution and religion, sexuality and selfhood. The major works of...
This book features a collection of essays, shedding subversively new light on Romanticism and its canon of big-six, white, male Romantics by focusing on marginalised, forgotten and lost writers and...