While authors in early modern England were gaining new authority - legally, economically and symbolically - Renaissance readers also were expected to participate in and make use of an author's writings. In this book, Stephen B. Dobranski examines how the seventeenth-century phenomenon of printing apparently unfinished works ushered in a new emphasis on authors' responsibility for written texts while it simultaneously reinforced Renaissance practices of active reading. Bringing together textual studies, literary criticism and book trade history, Dobranski provides fresh insight into Renaissance constructions of authorship and offers discerning interpretations of publications by Sir Philip Sidney, Ben Jonson, John Donne, Robert Herrick and John Milton. The omissions in all these writers' works provide a unique window into English literary history: through these blank spaces we glimpse the tension between implication and inference, between writers' intentions and readers' responses and between an individual author and a collaborative community.
Acknowledgements Notes on Texts and Preface The Regulation and Censorship of Early Modern Drama Licensed Fools: The 1598 Watershed Obscenity and Profanity: Sir Henry Herbert's Problems with the...
This book is the first comprehensive examination of commercial drama as a reading genre in early modern England. Taking as its focus pre-Restoration printed drama's most common format, the...
Books and Readers in Early Modern England Material Studies Edited by Jennifer Andersen and Elizabeth Sauer. Afterword by Stephen Orgel""A fascinating collection.""--History""Showcasing an innovative,...