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Poetry and Allegiance in the English Civil Wars

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This book explores the things which united, rather than divided, poets during the English Civil Wars, focusing less on conflicts between 'Cavaliers' and 'Roundheads' than on the friendships and shared literary enthusiasms of men of various political allegiance. Includes new readings of the early verse of John Milton and Andrew Marvell.
Hardback
01-November-2008
RRP: $342.00
$220.00
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This book is about the things which could unite, rather than divide, poets during the English Civil Wars: friendship, patronage relations, literary admiration, anti-clericalism. The central figure is Andrew Marvell, renowned for his 'ambivalent' allegiance in the late 1640s. Little is known about Marvell's associations in this period, when many of his best-known lyrics were composed. The London literary circle which formed in 1647 under the patronage of the wealthy royalist Thomas Stanley included 'Cavalier' friends of Marvell such as Richard Lovelace but also John Hall, a Parliamentarian propagandist inspired by reading Milton. Marvell is placed in the context of Stanley's impressive circle of friends and their efforts to develop English lyric capability in the absence of traditional court patronage. New light is shed on the origins and audience not only of the early political poems, including the 'Horatian Ode', but lyrics such as 'To His Coy Mistress'.

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RRP: $342.00
$220.00
In Stock: Ships in 3-5 Days
In Stock: Ships in 3-5 Days
Hurry up! Current stock:

Poetry and Allegiance in the English Civil Wars

RRP: $342.00
$220.00

Description

This book is about the things which could unite, rather than divide, poets during the English Civil Wars: friendship, patronage relations, literary admiration, anti-clericalism. The central figure is Andrew Marvell, renowned for his 'ambivalent' allegiance in the late 1640s. Little is known about Marvell's associations in this period, when many of his best-known lyrics were composed. The London literary circle which formed in 1647 under the patronage of the wealthy royalist Thomas Stanley included 'Cavalier' friends of Marvell such as Richard Lovelace but also John Hall, a Parliamentarian propagandist inspired by reading Milton. Marvell is placed in the context of Stanley's impressive circle of friends and their efforts to develop English lyric capability in the absence of traditional court patronage. New light is shed on the origins and audience not only of the early political poems, including the 'Horatian Ode', but lyrics such as 'To His Coy Mistress'.

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