Aristophanes' Birds, Wasps and Frogs offer the best-known examples of the animal choruses of Greek comedy of the fifth century BC, but sixth-century vase-paintings of men costumed as cocks, bulls and horses indicated that comedies were only the last phase of a longer tradition. This book suggests that although the earlier masquerades may have had ritual origins, they should be seen also as products of the culture of the archaic aristocratic symposium. The animal choruses of the late fifth century may have been conscious revivals of an earlier tradition. Moreover, the animals of comedy were not the predators found in other literary genres; they were, instead, social animals who showed that nature and culture could co-exist. The Birds, which tells the story of a city foundation, also parodies fifth-century philosophical accounts of the origins of human civilization. Also discussed are the Wasps, Frogs and fragments of lost comedies.
Originally published in 1931, this book surveys the origin and development of Greek Comic Drama, with full discussion not only of Aristophanes and Menander but also of other important playwrights...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of...
In comedy, happy endings resolve real-world conflicts. These conflicts, in turn, leave their mark on the texts in the form of gaps in plot and inconsistencies of characterization. Greek Comedy and...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of...