This book offers a fresh reading of the Amores centered on the aggressive, opportunistic, endlessly fluent, pleasure-seeking character, the poet-lover of the collection, here called Naso. Resisting the scholarly tendency to segregate the poet from the lover, Ellen Oliensis teases out the compromising affiliations between Naso's most 'poetic' performances and his seamy erotic adventures and shows that his need to write the script of his own subjection, far from delegitimizing his desire, tallies with other features of his generally masochistic profile. The book concludes with an exploration of the masochistic pleasures of the elegiac writing project as such, thereby effectively re-uniting Ovid with his surrogate within the collection.
From Catullus to Horace, the tradition of Latin erotic poetry produced works of literature which are still read throughout the world. Ovid's Amores, written in the first century BC, is arguably the...
Studienarbeit aus dem Jahr 2008 im Fachbereich Klassische Philologie - Latinistik - Literatur, Note: 1,0, Albert-Ludwigs-Universität Freiburg (Seminar für klassische Philologie), Veranstaltung: Die...
This edition of the first book of Ovid's Amores was first published in 1973 by OUP. It has been kept in print by BCP because it remains an outstandlingly useful volume. It was one of two editions...
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its...