Trending Bestseller

Life In the Forest

Denise Levertov

No reviews yet Write a Review
Paperback / softback
08-January-2010
$24.00
Ships in 3-5 business days
Hurry up! Current stock:
Life in the Forestis Denise Levertov's first major collection since the publication in 1975 ofThe Freeing of the Dust, winner of the Leonore Marshall Poetry Prize, and is her eleventh book with New Directions, in a connection of nearly twenty years' standing. Ms. Levertov's work holds that tenuous yet inspiring ground between reflection and discourse. The dynamics of this sensitive balance is pointed up inLife in the Forestby a thematic grouping which invites internal association from poem to poem and section to section. "The poems I had been moving towards," she explains, "were impelled by two forces: first, a recurring need to vary a habitual lyric mode; not to abandon it, by any means, but from time to time explore more expansive means; and second, the decision to try to avoid over use of the autobiographical, the dominant first-person singular of so much American poetry-good and bad-of recent years."

This product hasn't received any reviews yet. Be the first to review this product!

$24.00
Ships in 3-5 business days
Hurry up! Current stock:

Life In the Forest

$24.00

Description

Life in the Forestis Denise Levertov's first major collection since the publication in 1975 ofThe Freeing of the Dust, winner of the Leonore Marshall Poetry Prize, and is her eleventh book with New Directions, in a connection of nearly twenty years' standing. Ms. Levertov's work holds that tenuous yet inspiring ground between reflection and discourse. The dynamics of this sensitive balance is pointed up inLife in the Forestby a thematic grouping which invites internal association from poem to poem and section to section. "The poems I had been moving towards," she explains, "were impelled by two forces: first, a recurring need to vary a habitual lyric mode; not to abandon it, by any means, but from time to time explore more expansive means; and second, the decision to try to avoid over use of the autobiographical, the dominant first-person singular of so much American poetry-good and bad-of recent years."

Customers Also Viewed