Inside Soviet Film Satire is a lively collection of sixteen original essays by Soviet, American and Canadian scholars and film commentators. It is the first indepth examination of an important genre within the Soviet film tradition. From its origins, humour and satire have been closely linked in Soviet cinema. Nowhere in this tradition is there the pure comic genre typified in the West in films by Charlie Chaplin or Buster Keaton; by contrast, Soviet comedy can best be described as 'laughter with a lash'. Films made during the early years of the communist regime depicted characters and situations at a moment when the promise of socialism had yet to be realised. By the final years of totalitarian rule, filmmakers had found ways to create satirical films that powerfully indicted communism itself.
After the death of Joseph Stalin, Soviet-era Russia experienced a flourishing artistic movement due to relaxed censorship and new economic growth. In this new atmosphere of freedom, Russia's...
Kirk Combe theorizes a new type of contemporary political satire: the Rant. Grim, imaginative, and complex in its blending of genres, the Rant targets the Regime-the dangerous social and economic...
This book illuminates and explores the representation of women in Soviet cinema from the late 1950s, through the 1960s, and into the 1970s, a period when Soviet culture shifted away, to varying...
Based on theatrical research of unusual depth and enterprise, Theatre as a Weapon (1986) shows how the workers' theatre of the 1920s and 1930s transformed the social function of theatre. Drawing...