This study of the popular 19th- and early 20th-century American novel demonstrates how such works as Dreiser's Sister Carrie, Stowe's Uncle Tom's Cabin, and Cooper's The Deerslayer worked to make the "hard facts" of 19th-century America--the relocation of the Indians and destruction of the wilderness in the West; slavery in the South; and self-commercialization in the industrial North--known to their wide audience of readers. Fisher's
perceptive analysis proves that the important cultural "work" was accomplished not by authors who are usually placed at the core of the American literary canon (Hawthorne, Melville, Twain) but rather by authors who never
abandoned the ambition to be widely read.
American culture has often been described in terms of paradigmatic images--the wilderness, the Jeffersonian landscape of family farms, the great industrial cities at the turn of the 19th century. But underlying these cultural ideals are less happy paradoxes. Settling the land meant banishing the Indians and destroying the wilderness; Jeffersonian landscapes were created with the help of the new country's enslaved citizens; and economic opportunities in the cities
were purchased at the high price of self-commercialization. In this study of the popular 19th- and early 20th-century American novel, Philip Fisher demonstrates how such works as Dreiser's Sister
Carrie and An American Tragedy, Stowe's Uncle Tom's Cabin and Cooper's The Deerslayer worked to make these three "hard facts" of the 19th-century American experience familiar and tolerable--or familiar and intolerable--to their wide audience of readers. His perceptive analysis proves that the most important cultural "work" was accomplished not by novels generally taken to be at the core of the American literary canon--those of Hawthorne, Melville, or
Twain--but rather by books which never abandoned the ambition to be widely read.
American culture has often been described in terms of paradigmatic images--the wilderness, the Jeffersonian landscape of family farms, the great industrial cities at the turn of the 19th century. But underlying these cultural ideals are less happy paradoxes. Settling the land meant banishing the Indians and destroying the wilderness; Jeffersonian landscapes were created with the help of the new country's enslaved citizens; and economic opportunities in the cities
were purchased at the high price of self-commercialization. In this study of the popular 19th- and early 20th-century American novel, Philip Fisher demonstrates how such works as Dreiser's Sister
Carrie and An American Tragedy, Stowe's Uncle Tom's Cabin and Cooper's The Deerslayer worked to make these three "hard facts" of the 19th-century American experience familiar and tolerable--or familiar and intolerable--to their wide audience of readers. His perceptive analysis proves that the most important cultural "work" was accomplished not by novels generally taken to be at the core of the American literary canon--those of Hawthorne, Melville, or
Twain--but rather by books which never abandoned the ambition to be widely read.
This book brings together researchers in ergonomics and posture with industrial designers, to review and assess the current state of chair design, with implications for cultural, behavioural and...
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