A gifted yet controversial anatomical teacher, Robert Knox (1791-1862) published this remarkable study in 1852. It explores the influence of anatomy on evolutionary theories and fine art respectively. The first part of the work discusses the lives and scientific insights of the eminent French naturalists Georges Cuvier (1769-1832) and Étienne Geoffroy Saint-Hilaire (1772-1844). Rejecting the explanations offered by natural theology, Knox maintains that descriptive anatomy can give answers to questions surrounding the origin and development of life in the natural world. The latter part of the book is concerned with the relation that anatomy bears to fine art, specifically the painting and sculpture of the Italian Renaissance. Entering the debate about the importance of anatomical knowledge in art, Knox focuses on 'the immortal trio' of Leonardo da Vinci, Michelangelo and Raphael. Henry Lonsdale's sympathetic biography of Knox has also been reissued in this series.
From Leonardo da Vinci to Michelangelo, this book examines the lives and work of some of the greatest artists and anatomists in history. With clear and engaging prose, Robert Knox explores the...
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and...
Fun and easy art-appreciation activities aboundin this resource that features over 60 great artists across the ages. A concise biography for each artist tells why his or her work is important, and a...