Dvorák's Cello Concerto, composed during his second stay in America, is one of the most popular works in the orchestral repertoire. This guide explores Dvorák's reasons for composing a concerto for an instrument which he at one time considered unsuitable for solo work, its relationship to his American period compositions and how it forms something of a bridge with his operatic interests. A particular focus is the concerto's unique qualities: why it stands apart in terms of form, melodic character and texture from the rest of Dvorák's orchestral music. The role of the dedicatee of the work, Hanus Wihan, in its creation is also considered, as are performing traditions as they have developed in the twentieth century. In addition the guide explores the extraordinary emotional background to the work which links it intimately to the woman who was probably Dvorák's first love.
Following a disastrous premiere given by the under-rehearsed London Symphony on October 27, 1919 with the composer conducting and Felix Salmond as soloist, Elgar's last great work only very gradually...
Dvorak had long refused the repeated requests for a cello concerto from his friend, the renowned cellist Hanus Wihan (1855-1920) until he attended the premiere of Victor Herbert's second concerto in...
The Saint-Saens Cello Concerto No. 1 Study Book, Volume One helps you learn and perfect every measure of the first two "movements" of this major cello concerto.The Concerto is broken...
ВИКТОР ЕГОРОВСКОТНЫЙ ДВОР +Фантастический роман Джорджа Оруэлла, продолженный копытом осла БенджаминаЧетыре года назад Виктор Егоров посмел продолжить дело классика мировой литературы. Он искренне...
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high...