This book offers an interpretation of the handling of costume in the plays of the fifth-century comic poet Aristophanes. Drawing on both textual and material evidence from the fourth- and fifth-century Greek world, it examines three layers of costume: the bodysuit worn by the actors, the characters' clothes, and the additional layering of disguise. A chapter is also devoted to the inventive costumes of the comic chorus. Going beyond describing what costumes looked like, the book focuses instead on the dynamics of costume as it is manipulated by characters in the performance of plays. The book argues that costume is used competitively, as characters handle each other's costumes and poets vie for status using costume. This argument is informed by performance studies and by analyses of gender and the body.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the...
This collection of plays by the ancient Greek playwright Aristophanes is a must-read for fans of classical literature. Featuring some of his most famous works, including Lysistrata and The Frogs,...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and...
'Silk succeeds brilliantly, ranging far and wide across the entire spectrum of ancient and modern comedy... Michael Silk has given us much to think about.' -Erich Segal, Times Literary SupplementA...
Aristophanes, the celebrated Greek comic poet, is famous for his plays on contemporary themes, in which he exercises fierce political satire. Ancient political comedy made ample use of comically...