This wide-ranging 1996 study presents an examination of the extraordinary diversity and range of satirical writing in Russian literature and will be of interest not only to Slavicists but also to those interested in genre theory. Through the close analysis of seminal satirical texts written by five Russian and émigré authors in the 1970s and 1980s, Karen Ryan-Hayes demonstrates that formal and thematic parody is pervasive and that it provides additional levels of meaning in contemporary Russian satire. Each work under examination is placed within the wider European literary context as well as within the Russian tradition and is representative of a different sub-genre of satire. The author focuses on a variety of these genres and modes and offers practical criticism on each text. The writers under discussion have enjoyed a positive reception in the West and their works demonstrate the variety and vitality of Russian and Soviet satire.
Nearly two million Jewish men, women, and children emigrated from Eastern Europe between 1882 and 1924 and settled in, or passed through, the Lower East Side of New York City. Sanford Sternlicht...
A tool to enable Americans to read printed Russian (Cyrillic) "contemporary" literature,On-line newspapers, printed materials, etc. Extremely comprehensive listings of Composite word/terms, Word...
Kirk Combe theorizes a new type of contemporary political satire: the Rant. Grim, imaginative, and complex in its blending of genres, the Rant targets the Regime-the dangerous social and economic...
Russian in a Contemporary World is an intermediate textbook with a focus on improving oral and written skills of the Russian language by encouraging students' creative potential with their use of...