Albert Gelpi's American Poetry after Modernism is a study of sixteen major American poets of the postwar period, from Robert Lowell to Adrienne Rich. Gelpi argues that a distinctly American poetic tradition was solidified in the later half of the twentieth century, thus severing it from British conventions. In Gelpi's view, what distinguishes the American poetic tradition from the British is that at the heart of the American endeavor is a primary questioning of function and medium. The chief paradox in American poetry is the lack of a tradition that requires answering and redefining - redefining what it means to be a poet and, likewise, how the words of a poem create meaning, offer insight into reality, and answer the ultimate questions of living. Through chapters devoted to specific poets, Gelpi explores this paradox by providing an original and insightful reading of late-twentieth-century American poetry.
Poet and critic James Longenbach, rejecting the "breakthrough" narrative commonly used to define American poetry after modernism, discusses poets John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of...