In this book, Susan Harris Smith looks at the many often conflicting cultural and academic reasons for the neglect and dismissal of American drama as a legitimate literary form. Covering a wide range of topics such as theatrical performance, the rise of nationalist feeling, the creation of academic disciplines, and the development of sociology, Smith's study is a contentious and revisionist historical inquiry into the troubled cultural and canonical status of American drama, both as a literary genre and as a mirror of American society.
This study seeks to reunite American drama with more of the mainstream of American literature using contemporary literary theories of feminism, Derrida, Lacan, as well as the nature of language. It...
This book is a critical study of American drama in the mid-20th century, focusing on the works of prominent playwrights such as Arthur Miller, Tennessee Williams, and Eugene O'Neill. The book...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and...
The new essays in this collection, on such diverse writers as Eugene O'Neill, Susan Glaspell, Thornton Wilder, Arthur Miller, Maurine Dallas Watkins, Sophie Treadwell, and Washington Irving, fill...