Synonymous with finely crafted wood engravings of the natural world, Thomas Bewick (1753-1828) perfected an instantly recognisable style which was to influence book illustration well into the nineteenth century. Begun in November 1822, at the behest of his daughter Jane, and completed in 1828, Bewick's autobiography was first published in 1862. The opening chapters recall vividly his early life on Tyneside, his interest in the natural world, his passion for drawing, and his apprenticeship with engraver Ralph Beilby in Newcastle, where he would learn his trade and then work in fruitful partnership for twenty years. Later passages in the work reveal Bewick's strongly held views on religion, politics and nature. The work also features illustrations for a proposed work on British fish. Bewick's General History of Quadrupeds (1790) and History of British Birds (1797-1804), the works which secured his high reputation, are also reissued in this series.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and...
A Memoir of Thomas Bewick is an autobiographical work by the renowned British wood engraver and naturalist, Thomas Bewick. Originally published in 1862, the book provides an intimate glimpse into the...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of...
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the...